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SNCA and The Folk Pottery Museum continue to work with the Northeast Georgia History Center on several projects. If you have not had the opportunity to see the exhibit Tradition in Clay at the History Center, plan to spend some extra time in Gainesville on your next visit. The History Center has a fine collection of early northeast Georgia stoneware that compliment items from the archival collection of the Folk Pottery Museum used in the temporary exhibit. In anticipation of the National Geographic Appalachia map that features the Folk Potters Trail, we are applying to the Georgia Department of Economic Development for a grant to reprint a revised brochure and include the Northeast Georgia History Center as a southern gateway to the trail. We hope all these efforts will benefit both institutions as we connect our visitors to the stoneware traditions of Northeast Georgia.
Current exhibit
at Folk Pottery Museum

Photo by Rob Karosis © 2006-2007
The current exhibit, open since Sept. 1, 2007 in our changing
gallery, focuses on North Carolina pottery and its relationship
to our own northeast Georgia folk pottery and museum collection.
This
wide ranging and colorful exhibit includes pieces from a surprising
variety of folk traditions including Native American earthenware,
Moravian lead glazed earthenware, salt glazed stoneware from the
eastern piedmont, and alkaline glazed stoneware from the Catawba
valley.
The new exhibit features several pieces by the late Burlon
Craig who, like Georgia’s Lanier Meaders, was a living link
back to the utilitarian pottery production so necessary to survival
among the small farmers of the south. As we learned through the
previous Edgefield pottery exhibit, the North Carolina potters
moved where clay deposits and markets took them. Not surprisingly
several early Mossy Creek families including the Cravens can trace
their turning and burning ancestors back to the “Old North
State.”
Curator Dr. John Burrison developed the exhibit drawing
from his personal collection of North Carolina pottery. The design
and production work is once again the artistry of Folk Pottery
Museum exhibit designer Dale Brubaker. SNCA members are encouraged
to stop by the Center to experience the new exhibit and then spread
the word to friends and family!
Now is great
time to begin volunteering as a docent in the Folk Pottery Museum.
Volunteers will be training and taking a local folk pottery field
trip in October. Call Chris at 706-878-3300.
Anita Meaders
What is Folk
Pottery? Part III
This month we will complete our discussions about what constitutes
folk arts. In the first installment we learned that folk arts are
learned traditionally in a community setting. The second installment
described how folk artists are inspired by the past and the flexibility
of their craft. This month, let’s explore the final two attributes.
Folk objects can be both useful and beautiful. In rural communities
art is not separate from everyday life. People decorated utilitarian
objects to express themselves and bring beauty to their lives.
Quilts do not need to be pieced in pleasing patterns to keep us
warm nor does a blacksmith’s clothing hook need a decorative
twist or leaf finial. The folk potter’s product, though utilitarian,
was still aesthetically pleasing.
Folk objects are handmade in an inherited tradition. Folk objects
are produced by hand and not by machine. All folk objects are handmade
but not all handmade items are folk objects. The work of local
self-taught potters is not considered folk since they did not learn
the craft informally from members of a community.
I hope that this series has given our members a better understanding
of how our museum in particular showcases a regional craft that
incorporates and illustrates all of the attributes of folk arts.
Michael Crocker
What is Folk
Pottery? Part II
Back in August we began looking at folk arts and how they differ
from other artistic expressions. In the first installment we noted
that folk arts are learned traditionally in a community setting.
This month let’s explore two more attributes.
Folk artists bring the past into the present. Folk artists are
inspired by earlier work from within their community. This is illustrated
by the decorative wares produced by today’s living folk potters.
The jugs, jars and churns that are decorated with grapes, snakes
and faces draw their inspiration from historic vessel forms and
are linked back to traditional decorative themes.
Folk arts are flexible. Folk art can connect us to the past but
it remains fresh and useful by adapting to change. Folk potters
of the mid-twentieth century responded to declining demand for
utilitarian stoneware by diversifying into gardenware. The popular
strawberry jar is a traditional churn or jar form modified with
holes in the wall to contain small plants.
Lanier Meaders
What is Folk
Pottery? Part I
What makes the objects in our museum different? A number of people
ask us to define “folk” every day, and I thought our
members would be interested in knowing as well. Over the next few
months I hope to cover six ways that folklorists define and differentiate
folk arts from other artistic expressions.
Folk arts are learned traditionally.
Folk arts are learned through informal contact, face to face. The
potters featured in the museum learned their craft by working with
another potter. This could be in a family pottery shop, a garden
ware business (that grew out of a family folk pottery), or by apprenticing
with a folk potter.
Folk arts are community-shared. The historic folk
potters in our museum were a resource supplying a necessary item
to a larger community. They were important in their local communities
such as Mossy Creek or Gillsville but by carting their wares to other
places they served the larger northeast Georgia region.
Remember to
share the museum with visiting friends.
—Chris Brooks, Folk Pottery Museum Director
Habersham
County Day at the Folk Pottery Museum, April 7 |

David Meaders
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Lin Craven
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Wayne Hewell
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Ninety-eight visitors braved the chill of an Easter cold snap
to participate in Habersham County Day. Demonstrations by David
Meaders and Wayne Hewell held some visitors spellbound while others
tried their hand at decorating miniature jugs with Lin Craven.
Michael Crocker, co-curator of the exhibit greeted visitors and
answered questions about folk pottery and collecting. Special guest
John Kollock personalized prints and books in the Crittenden Room.
We want to extend thanks to all the Center volunteers who helped
make the day possible.
The Folk Pottery Museum welcomes new volunteers
Mike Welborn, Bob Rowan, and Paula Gilkey. Volunteer opportunities
are still available in the Museum, call today for more information
878-3300.
White
County Day at the Folk Pottery Museum, February 24 |
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Over 120 White County citizens attended the special open house
in their honor on February 24th. The day was a great success with
turning demonstrations by several potters and curator John Burrison
came up from Atlanta to field questions during the morning. Folk
Pottery Museum volunteers enjoyed greeting visitors and encouraging
everyone to visit the history museum and the gallery. We are planning
a similar day for citizens of Habersham County on April 7th.
The
Folk Pottery Museum hosted the 2nd through 5th grades from Mount
Yonah Elementary during the fall. Letters from the students were
recently received by the museum and we thought you might enjoy
some excerpts.
“We had a great time making pottery at the pottery station,” said
Brooks Teal. “It seemed I got smarter,” said Savannah
Sanford. “I liked learning about the Indians. I enjoyed learning
about pottery,” said Christopher Donovan. “The field
trip to your place was the best one I have ever had,” said
Mac Tinius.
Thanks to all the staff and volunteers who helped make
these field trips possible.
Volunteers are still needed to staff the front desk during the
week. Morning and afternoon shifts are available. Front desk staff
greet visitors, sell tickets, and orient visitors to the museum
all while sitting in the most beautiful building in Northeast Georgia!
Help support your Folk Pottery Museum and the Center, call Chris
at 878-3300.
Find out more about the Folk Pottery Museum at www.folkpotterymuseum.com

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